Zeng Zhenwei: Compared with Japanese and Korean sculptures, Chinese mainstream aesthetics are more shy
Professional artists who eat public diets such as professional associations, painting institutes and sculpture institutes.
In Japan, sculpture art as a kind of art began to be completely westernized from the Meiji Restoration and thoroughly learned from the West. Therefore, for more than 100 years, Japan has followed the pace of Europe and the United States, and in terms of technical concepts, materials, genres and educational concepts, it has also kept pace with Europe and the United States. However, due to different cultural backgrounds and different life backgrounds, the artistic results displayed are different from those in Europe and the United States. In particular, Japan's industrial level is relatively average, and the level of science and technology in sculpture art is relatively high. In the application of new materials, Japan also performed uniquely.
Reporter: The Korean government has been supporting art for several years. The sculpture art has developed very fast, isn't it?
Zeng Zhenwei: As far as our intuitive understanding and feelings are concerned, the Korean nation’s sense of sadness is very serious. This is also an important social foundation for the Korean people to work hard. Since the 1980s, the Korean economy has advanced by leaps and bounds. There are many Koreans studying in Japan, Europe and the United States, and many people returning to China after they have completed their studies. Koreans apply the concepts and techniques they have learned to their own development. The government is very aware of the role of cultural power. To this end, it supports the culture, originality and innovation. It has developed a series of related systems and laws to protect and protect the artist's creative achievements. For example, a public cultural artwork corresponding to a city must be established in front of all buildings in Seoul, and the expenditure is mandatory to be imposed at 0.7%-1% of the total investment of the building. If the developer does not do such work, the building will not pass the acceptance. These support measures are also one of the reasons for the rapid development of Korean art.
Reporter: In this way, China's modern sculpture has developed relatively slowly and received fewer cultural support policies.
Zeng Zhenwei: China's situation is different from that of South Korea. From the perspective of economic opening, China and South Korea are actually synchronized. Since the industrial bases of the two countries are not the same and the volume is different, the development cannot be compared. But one thing is that our Chinese society's concept of creating value for culture is indeed very different from that of Europe, America, Japan, and South Korea. The reason for this can be said to be related to the national sentiment of our society that is eager for quick success. The whole society has played a negative energy role from the support of artistic creation to the protection of original value, support and development. The social functions of some professional associations have unfairly and monopolized the dominance of social resources, which has made it difficult for many artists with abilities, capabilities and potential to obtain opportunities.
The other is that the state's resources to support the development of cultural industries and art have been monopolized, and many artists with no characteristics and old-fashioned characters have become heroes and famous. Government resources have tilted towards such people, losing social fairness and fairness, which has also stimulated the development of social literature and art in a negative direction. To be fair, in the real world, Chinese folks also have a multi-cultural culture. They also have a certain opening effect. From the side, they also alleviate the negative impact caused by high bureaucrats. In the future, it is only necessary to see whether this diverse social atmosphere can Take a healthier path forward.
Public art must make art sculpture public
Reporter: Recently, a pure gold Mao Zedong sculpture appeared on the "2013 Art Shenzhen", and the cost was over 100 million. What do you think?
Zeng Zhenwei: It is understandable to use Mao Zedong to do the subject matter of sculpture. It is not necessary to discuss what materials to use for construction. This is the artist's choice. Question: What kind of occasion is the statue of a historical figure placed on it? What kind of social environment is required? What kind of artistic purpose is to be achieved? This is to be discussed. Because public art must make art sculpture public. The creation of public art must be established in order to achieve good and healthy public aesthetic appeals. This is completely different from the creative principle of desktop sculpture art. In this regard, it is also required that colleges and universities must give accurate and systematic theoretical education when training public sculpture art talents. Otherwise, what our Chinese society has to let others see is that the city is big and the buildings are many, but the culture is a scene of decline.
Reporter: What is the development of public sculpture in China? Li Gongming, a professor at the Guangzhou Academy of Fine Arts, has mercilessly pointed out in the Cultural Salon of "Asian Sculpture in Transboundary Context" held last week that many ugly public sculptures waste taxpayers. money. What do you think?
Zeng Zhenwei: The quality of public sculpture is not the size of the sculpture, nor the question of the nobleness of the sculpture material. It is whether the set art can effectively assume the function of public art and radiate the cultural, artistic and spiritual effects on the set area. This is the evaluation standard for public art. Proposing a reasonable proportion of public art in the total investment of a building is a good phenomenon to promote cultural development. When doing public art, if there is no choice, there is no public art to arbitrarily place a so-called "master" work, which will waste the taxpayer's money. Now our city is not a lot of public art, but it is not enough, and there are too few good works. 
Want to know more about copper carving prices, copper carving wholesale, bronze sculpture joining, copper carving procurement related information, can visit http://tongdiao.99114.com/
Flocking fabric is a type of textile that has a raised, velvety surface created by applying small fibers or particles to the surface of the material.The process of flocking involves applying an adhesive to the fabric and then sprinkling tiny fibers or particles onto the surface.The fibers or particles are then pressed into the adhesive, creating a soft, velvety texture.
Flocking can be done on a variety of fabrics, including cotton, polyester, and nylon. It is often used in upholstery and home decor items such as curtains and bedding. Flocking fabric comes in a variety of colors and patterns, making it a versatile choice for many different design styles.
One of the benefits of flocking fabric is its durability. The fibers are tightly adhered to the fabric, making it resistant to wear and tear.It is also easy to clean and maintain, as most flocking fabrics can be spot cleaned with a damp cloth.
Our company produce flocking fabric and Sofa Upholstery Fabric more than 20 years. we are exporting many kind of upholstery fabric and flocking fabric to the different market, we understand their style and requirements of each market. Our factory is good at control the quality, and also can give you a very competitive price. We will try our best to supply you sofa and curtain fabric with favorable price and the best quality.
Flocking Fabric,Embossed Flocking Fabric,Flocking Fabric For Sofa,Polyester Flocking Sofa Fabric
Shaoxing Wedoo Imp. & Exp. Co.,Ltd. , https://www.sxwedoo.com