uooyaa Wuya tide brand women's spring-summer 2020 new model: VOL.02 "blows down" in Chongqing

UY: How long have you lived in Chongqing? What does Chongqing look like in your eyes?

XIAOXIAO: I was born in Chongqing. My grandmother used to be in Chonggang, and she was in love with my grandfather in the factory. Chongqing is a city of Transformers, humid, psychedelic, color, and emotional.

UY: From many years ago, Nut Nuts has been an active underground music gathering point in Chongqing. What kind of persistence and changes has Nut Nuts established for ten years?

XIAOXIAO: Adhering to the dream of a century-old store, it also achieved 10% oNuts' slogan: the shell is hard, just like you and me. Express what you want to express in different ways. More professional, more tolerant, insisting on supporting independent musicians, recommending more good music to people who like nuts, and managing the venue well is a very important part.

UY: After several periods of music, what new influence has the environment had on nuts?

XIAOXIAO: We are also thinking about the issue you mentioned. Today ’s environment has really affected us a lot. You do n’t have to go out and receive different information on various websites and social platforms. Livehouse is still doing something very similar to the concept of independent magazines. What methods do you use to attract lazy people who are willing to go out and listen to the scene, some of us know great musicians, but they hide more underground and not many people know them. At that time you can't wait to tell everyone you know that they are really good and must come to the scene.

UY: What do you think is the most interesting for a bookstore?

JIUDI: Among the creators and learners, the bookstore carries the identity of an intermediary, but this does not mean that the bookstore has an inescapable responsibility for social humanities. But it can see the relationship between various people and another latitude. And this "seeing", like a wandering soul, these eyes will walk outside the bookstore, not inside the bookstore. This is what I think is interesting.

UY: How do young people in Chongqing view culture (if books and photography are considered as part of artistic and cultural life)?

JIUDI: About 14 years later, Chongqing, which has been mocking the cultural desert, has begun to change. Among the more people I have contacted in Chongqing, the demand and creation of cultural life is very strong. In Chongqing, it is difficult to have high-quality exhibitions with institutional support, which will lead to situations that everyone starts to do. The performances and parties I have seen are very prosperous, but this form of entertainment, which has appeared on the surface, has broken out of the previous restrictions. Everyone will go to the party with a certain point of view and meeting point instead of Just looking for freshness and excitement. So these will show that the subculture of young people in Chongqing is not so unpleasant, not a trend, but the characteristics of the region itself, and a chemical reaction of people here in the face of culture. However, since the Blade, I have rarely seen peers or resident readers younger than me. Probably young people in Chongqing prefer to read at home or shape their consciousness through other methods.

UY: For you, what are the characteristics of young people in Chongqing? What style?

JIUDI: Most of the young people in Chongqing are bold and act in a straightforward manner. They are more focused on the current feelings and have a certain secondary temperament. This selfless ambition and enthusiasm is precious because it does not take into account too much reality and the eyes of others.

UY: Why did you move to Chongqing?

MIRAISENSHI: Last Valentine's Day, my girlfriend came to me from Chongqing and I didn't prepare any gifts. All I could do was to tell Zhongsheng Ji to give her to her and move over.

UY: None of your friends in music seem to live in Chongqing. Will life be lonely here?

MIRAISENSHI: Yes, but we will communicate on the Internet, although it does not say that it is true face to face, friends who have cooperated on music at least have come out and played together. Maybe it will be lonely, but I'm lonely.

UY: I heard that you are going to make a physical collection. It sounds like a millennial.

MIRAISENSHI: Yes, I always thought that the late 1990s and early 00s were the best time. At that time, the record industry still made money by selling records. Everyone was willing to spend money on tapes or CDs to listen to an album repeatedly. Selling records is no longer profitable, the stars are all set up, and music is in a secondary position. I can understand the changing times, but I don't like it very much.

UY: For you, what are the characteristics of young people in Chongqing? What style?

PYPER: Although I am not a local, but I know here whether they are Chongqing or not, they are all free to grow, driven by some experimental spirit, so that they will try anything. There is no boundary of identity tags, even from Zero learning. It can be said that the courage is not small, there is nothing that cannot be solved, and it is not a problem to hit the street.

UY: Share your favorite place?

PYPER: Light rail in Chongqing. It ’s a godsend! You can see little people walking on the overpass and cars on the viaduct. Taking the light rail in Chongqing has made me a habit of squatting down in any corner, because there are too many stations and sometimes too tired to stand. If I want to leave Chongqing, the light rail will definitely be the one I miss the most.

UY: Can you share some recently implemented ideas? What's the next goal?

PYPER: Recently completed more than half of the project in London before perfecting one. Let's continue to prepare the work. The next goal is to apply to your favorite college and resume your studies.

UY: Introduce yourself.

ZHANGWUJI: I see myself as an experiment. I am a student of architecture, a photographer, a non-professional model, a micro-seller who sells antiques, and an actor who has performed a drama. I have recently been trying to do creative projects. It doesn't sound like a job, but I treat myself as an experiment, constantly looking for exciting points, and tapping into more possibilities for myself. These experiences are not labels of identity, because I value the experience in these processes more, of course, to make money. I don't want these events to be just trials. Some things can be done more professionally or on a larger scale.

UY: Can you see that trying and personal expression are personal traits that you care about. When did you start clarifying such a direction?

ZHANGWUJI: I don't think it's the direction. Once you find deficiencies in what you like, you will certainly feel embarrassed and need to work hard to improve. I'm good at summarizing, and I like to summarize the laws of doing something. There can be different ways of personal expression. If only the information is absorbed, but no expression is expressed, blocking the person will be bad.

UY: To you, what are the characteristics and styles of young people in Chongqing?

ZHANGWUJI: The young people who are native to Chongqing and the young people who settle in Chongqing are the same to me. It has nothing to do with not speaking Chongqing. No matter everyone is a professional, young people in Chongqing have a strong spirit in their bones. They are a little bit stingy and resilient. This temperament is different from other cities. Most of the behavior styles are straightforward, not dishonesty, and do not waste time. I think it's wild, not unbridled, but broken unrepaired growth from hard soil, and generally has that energy. And I believe in it.

The story of Wuyazui ISSUE 4 comes to an end here, but UOOYAA's imagination will never end, and I will always explore the multi-dimensional aspect of life with a fun attitude, ISSUE 5, please continue to look forward to.